n the 1970s, Mario Mactas, a prominent journalist for the magazine Satiricón, went into exile in Barcelona due to political repression in Argentina. His return brought a unique perspective on current events, challenging conventions still prevalent in the digital age. Mariana, his daughter, follows him and collects memories, complaints, and anecdotes. Sometimes the tone softens when Mario prefers to exercise discretion regarding certain matters, and the film takes on the form of a clash of styles: with the precision of a fatalist, the man digests the weight he bears and charges forward, a happy master of words, even those unspoken.